It was composed entirely in Latin; and because its melodies are so closely tied to Latin accents and word meanings, it is best to sing it in Latin. (Among possible exceptions are chant hymns, since the melodies are formulaic and are not intrinsically tied to the Latin text.) Gregorian chant is in free rhythm, without meter or time signature.
Why is Gregorian chant called "Gregorian"?
Gregorian chant, monophonic, or unison, liturgical music of the Roman Catholic Church, used to accompany the text of the mass and the canonical hours, or divine office.Gregorian chant is named after St. Gregory I, during whose papacy (590–604) it was collected and codified. Charlemagne, king of the Franks (768–814), imposed Gregorian chant on his kingdom, where another liturgical tradition ...
How to read and sing Gregorian chant?
Anyone can sing these ancient melodies, with just a little practice.
- Identify your vocal range. If playback doesn't begin shortly, try restarting your device. ...
- Listen to Gregorian chant. Before ever pulling out your sheet music or even singing along with recordings, it is important to acquaint yourself with the style of Gregorian ...
- Find your sheet music. ...
How to pronounce Gregorian chant?
- before e, æ, œ, i or y as English g in ginger.
- GN has the sound given to these letters in French agneau and the Italian signor, that is similar to the English ny in ca ny on
- Otherwise Latin G is like English g in g et.
How to accompany Gregorian chant?
Chant Accompaniment. 1. Although every organist should aim to accompany chant directly from the neuems, the following link contains full Nova Organi Harmonia harmonisations of the Gregorian Ordinaries and Propers and more! 2. Chant Talk– Patrick Torsell, is Director of Music at Mater Dei FSSP Parish, Harrisburg, PA. He has some useful video ...
Is Gregorian chant based on Latin liturgy?
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Why was the Gregorian chant sung?
Gregorian chant was traditionally sung by choirs of men and boys in churches, or by women and men of religious orders in their chapels. Gregorian chant supplanted or marginalized the other indigenous plainchant traditions of the Christian West to become the official music of the Roman Catholic liturgy.
What is Gregorian chant and in what way was it used?
Gregorian chant, monophonic, or unison, liturgical music of the Roman Catholic Church, used to accompany the text of the mass and the canonical hours, or divine office. Gregorian chant is named after St. Gregory I, during whose papacy (590–604) it was collected and codified.
How do you chant in Latin?
0:123:35How to Sing the Latin Chant Mass - YouTubeYouTubeStart of suggested clipEnd of suggested clipSo I'll start and then you will follow exactly as I as I. Say. And you sing exactly that.MoreSo I'll start and then you will follow exactly as I as I. Say. And you sing exactly that.
Why is church music sung in Latin?
For centuries it was sung as pure melody, in unison, and without accompaniment, and this is still the best way to sing chant if possible. It was composed entirely in Latin; and because its melodies are so closely tied to Latin accents and word meanings, it is best to sing it in Latin.
Are chants supposed to be sung?
A chant (from French chanter, from Latin cantare, "to sing") is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones.
Where are Gregorian chants from?
Gregorian chant began during the Middle Ages in Europe, which refers to the period from about the 5th century to the 15th century. It was music of the Catholic Church, so it was ceremonial in purpose. The term “Gregorian” refers to Pope Gregory I, who was head of the Catholic Church from 590-604.
Why does Gregorian chant sound so different from other types of Western music?
Why does Gregorian chant sound so different from other types of Western music? There is no harmony. What is the primary language of the Mass? Of the following, which woman was a religious leader and a prominent figure in literature and music?
Why do choirs sing in Latin?
There's something sacred about singing an anthem in Latin, I think; it connects us back to our ancient roots, the development of church music centuries before us, and those that gathered to worship in those times and places. The best part about singing in Latin? It's made up of pure vowels. It's great for singing!
Do choirs sing in Latin?
In the world of singing, Latin is no dead language, as it is often the language of choice for major choral works (such as a Requiem or Mass) and can be found regularly on contest lists throughout the United States.
Is Credo sung in Latin?
Those sung by the choir are, in the Latin mass, the Kyrie, Gloria, Credo, Sanctus (sometimes divided into Sanctus and Benedictus), and Agnus Dei, although the intonations of Gloria and Credo are…
What is Gregorian chant?
Gregorian Chant (hereafter referred to as 'chant') – amongst other forms of prayer – is ideally suited to this relationship, since the music is wedded to the text (having been composed for it). The chanting of a text helps to define it, to give it space to be heard, and to be interiorised.
Where is Latin chant sung?
A number of monastic communities sing part or all of their office in Latin chant, including the abbeys of Ampleforth, Buckfast, Downside, Quarr, (St Cecilia's) Ryde (in England), Pluscarden (in Scotland), Christ in the Desert (USA). Chant is sung regularly in the liturgy by the choirs of Westminster Cathedral (daily), Brompton Oratory, London, and Boxgrove Priory; some Anglican and Roman Catholic cathedrals also sing the chant in Latin.
What is the name of the ensemble that plays the rhythmic symbols of the early manuscripts?
The Ensemble Gilles Binchois (Harmoni c/Virgin) and the Ensemble Organum (Harmonia Mundi), amongst others, make bold attempts at interpreting the rhythmic marks of the early manuscripts, which can be seen in the Graduale Triplex (Solesmes). Inspired by the work of Dom Eugène Cardine, the later recordings of Solesmes Abbey (Paraclete/Solesmes) have a more subtle reinterpretation of these early rhythmic symbols.
What hymn is used in Balfour Gardiner's Evening Hymn?
Balfour Gardiner's Evening Hymn uses the text of the Compline hymn Te lucis ante terminum (104). If you have sung one of the many settings of Ave verum corpus (75), you could sing the chant version, which has inspired many of the choral settings.
How many verses are in Ubi Caritas?
The antiphon Ubi caritas est vera, Deus ibi est (or its variant Ubi caritas et amor) has a refrain sung three times, and twelve verses. Closer inspection, however, shows that the structure of refrain and four verses uses the same music; moreover, the music for the first and second verses is similar, likewise with the third and fourth verses – in other words there are really only three different melodies in this fifteen-line chant.
Can you use seasonal chants during Lent?
And by the way, don't make the mistake of confining the chant to Lent, on the false assumption that it is a gloomy style of music. Each of these seasonal chants reflects a distinctive seasonal mood. Yes, the distinction is subtle; but it is not absent.
Is it worth noting repeated sections of a chant?
To begin with, it is worth looking at the structure of the chant, as noting repeated sections will make the chant easier to learn. (Music examples have been provided here in modern notation for ease of reading by newcomers to Gregorian chant.)
Where did the Gregorian chant originate?
Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.
How did Gregorian chant influence the development of medieval music?
Gregorian chant had a significant impact on the development of medieval and Renaissance music. Modern staff notation developed directly from Gregorian neumes. The square notation that had been devised for plainchant was borrowed and adapted for other kinds of music. Certain groupings of neumes were used to indicate repeating rhythms called rhythmic modes. Rounded noteheads increasingly replaced the older squares and lozenges in the 15th and 16th centuries, although chantbooks conservatively maintained the square notation. By the 16th century, the fifth line added to the musical staff had become standard. The bass clef and the flat, natural, and sharp accidentals derived directly from Gregorian notation.
What is the tone system of Enchiriadis?
In contrast to the ancient Greek system of tetrachords (a collection of four continuous notes) that descend by two tones and a semitone, the Enchiriadis writings base their tone-system on a tetrachord that corresponds to the four finals of chant, D, E, F, and G.
What music was used in the Roman Rite?
Vatican II officially allowed worshipers to substitute other music, particularly sacred polyphony, in place of Gregorian chant, although it did reaffirm that Gregorian chant was still the official music of the Roman Rite of the Catholic Church, and the music most suitable for worship in the Roman Liturgy.
What is the chant tradition of Rome?
Gregorian chant eventually replaced the local chant tradition of Rome itself, which is now known as Old Roman chant. In the 10th century, virtually no musical manuscripts were being notated in Italy. Instead, Roman Popes imported Gregorian chant from (German) Holy Roman Emperors during the 10th and 11th centuries.
How many modes are there in Gregorian chant?
Gregorian chant was categorized into eight modes, influenced by the eightfold division of Byzantine chants called the oktoechos. Each mode is distinguished by its final, dominant, and ambitus. The final is the ending note, which is usually an important note in the overall structure of the melody.
What is the central tradition of Western plainchant?
Motet. Organum. Planctus. v. t. e. Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church.
How old is the Latin liturgy?
Many of the texts in the Latin liturgy are very ancient. Some of them are over 1,500 years’ old. They are real doctrinal and literary gems, honed by centuries of unbroken use. The same can be said of Gregorian chant: its melodies are often more than 1,000 years' old ...
Why is Latin liturgy important?
Celebrating the liturgy in Latin has the added advantage of creating a special atmosphere. Just as there is a special place to encounter God (the church), a special moment (the offices), and special clothes (a cowl or alb), so too there is a special language: Latin. Guests who take part in our liturgy are often sensitive to ...
Why do we leave the secular world?
We leave our surrounding secular world to enter God's world, joining the angels to take part in the liturgy of heaven. It goes without saying that this initiative comes from God, who willed to be one with us in Jesus Christ. In the liturgy, heaven and earth are united.
What is the Gregorian chant?
Gregorian chant is the church’s own music, born in the church’s liturgy. Its texts are almost entirely scriptural, coming for the most part from the Psalter. For centuries it was sung as pure melody, in unison, and without accompaniment, and this is still the best way to sing chant if possible. It was composed entirely in Latin;
What is the difference between Gregorian chant and Taizé chant?
Taizé chants, for example, are generally in Latin, similar to Gregorian chant antiphons. But the musical style is quite different: metered and with choral harmonies and/or instrumental accompaniments.
What are psalm tones?
By Gregorian psalm tones, however, we mean a set of particular melodies, one for each of the Gregorian modes, always in the form of two measures.
Can psalms be written in Latin?
The Gregorian psalm tones are well suited to the Latin language, but do not work very well with English accents, unless one takes freedom in adapting them. For English psalm verses, it is probably wiser to use psalm tones written for the English language. Back to Gregorian Chant Resources.
When was the Gregorian chant invented?
Gregorian chant was developed between the eighth and ninth centuries CE , during a time when Frankish kings, notably Charlemagne, sought liturgical uniformity among their territories. When Charlemagne’s father Pepin the Short reigned, he wished to supplant the Frankish Gallican liturgy with that belonging to Rome. Subsequently, in 789 Charlemagne decreed that all of his territories would be unified under one Roman liturgy and chant.
Who created the Gregorian chant?
Thus far, we have briefly explored how the Carolingians played a significant role in the dissemination and development of Gregorian chant, but what of the popular story that credits Gregorian chant to the hand of Pope Saint Gregory I (“Gregory the Great”)? He is, after all, the sacred songs’ eponym, so how does his story come into play and is there any truth to the tale that he composed Gregorian chant? According to legend, Gregorian chant was the most sacred and authentic form of liturgical chant as it was believed to have been sung to Gregory I by the Holy Spirit who appeared to him in the form of a white dove.
Why was chant notated?
This required a way to record melodies so that they could be accurately taught and transmitted without the fallibility of human memory. The earliest forms of Western chant notation emerged in the latter half of the ninth century and did not indicate precise pitch or rhythm as our current Western notation system does. Rather, it employed symbols called “neumes” that acted as a type of prompt for melodies that had already been learned and memorized through an oral tradition. These neumes (which can appear as dots, dashes, or lines that are placed above chant text and vary in appearance from scribe to scribe) are called “adiastematic” and indicate relative ascending and descending melodic motion. Margot Fassler explains that this very early form of notation did not eradicate the need for melody memorization; it worked in conjunction with it. One of the oldest extant sources of this notation is the St. Gall 359 manuscript of the Benedictine Abbey of St. Gall, Switzerland (which was copied in the tenth century).
What is the most common chant in medieval times?
For many medieval music enthusiasts today, Gregorian chant (which is also known as Frankish-Roman chant) is likely the most familiar liturgical chant tradition; however, in early medieval Europe, there were several different types of sacred chant that varied depending on region. To name a few, Rome, Spain, Milan, Gaul, and Benevento each had their own liturgies and accompanying chants by the end of the seventh century CE (that is, Old Roman chant, Mozarabic chant, Ambrosian chant, Gallican chant, and Beneventan chant respectively). Considering the many different Western liturgical chant traditions that existed, why, then, has Gregorian chant come to be the most widely known and preserved among them? The answer to this question lies within the political efforts and religious ideals of the Carolingians.
What is the most famous musical tradition of medieval Europe?
With its free-flowing melodies, sacred Latin texts, and signature monophonic texture, Gregorian chant is one of the most iconic musical legacies of medieval Europe. Developed and propagated during the Carolingian dynasty, Gregorian chant can seem worlds apart from the much more contemporary epochs of Western music to which many of our ears are well-accustomed; yet it is from this ages-old liturgical tradition that our current understanding of Western music and its accompanying system of musical notation descends.
What is the origin of Frankish-Roman chant?
While this account of divine inspiration certainly seems to compliment Gregorian chant’s ethereal sound, scholars, including Margot Fassler, assert that the heavenly origin story of Frankish-Roman chant was born of a Carolingian effort to further substantiate and make irrefutable its authenticity. On the other hand, some musicologists have suggested that Gregory may have possibly contributed to the codification and consolidation of existing chants that eventually formed the basis of later Gregorian chant.
What is the foundation of Western music?
Essentially, as succinctly stated by medieval music scholar Margot Fassler, “Gregorian chant is the foundation of Western music.” In the following sections, we will explore the origin and dissemination of Gregorian chant, a few of its notable characteristics (specifically, texture and melody), and some of the earliest forms of medieval musical notation that evolved alongside this enduring type of chant.
What is the Gregorian chant?
Vatican II was the first ecumenical council in the 2,000-year history of the Church to expressly name Gregorian chant as the music proper to the Roman rite and to establish officially its normative status and primacy of place.
What are the qualities of Gregorian chant?
These qualities [of holiness, good artistic form, and universality] are to be found in the highest degree in Gregorian chant, which is consequently the chant proper to the Roman Church … The ancient traditional Gregorian chant must, therefore, in a large measure be restored to the functions of public worship … Special efforts are to be made to restore the use of the Gregorian chant by the people, so that the faithful may again take a more active part in the ecclesiastical offices, as was the case in ancient times.
How long after the Council do you pray with Gregorian chant?
If you aren’t praying with Gregorian chant, 50 years after the Council, then you are 50 years out of step with what the Council mandated in the strongest terms. The Council Fathers in Sacrosanctum Concilium go on to talk about the use of other kinds of music and they provide a welcome flexibility.
What is the point of alternating with the choir?
The point about alternating with the choir is seen in the Kyrie: the choir chants the first petition, then everyone chants the second petition, then back to the choir for the third, and so forth. Venerable Pius XII writes very beautifully in his encyclical Mediator Dei of 1947:
Why do we sing at Mass?
The Mass is a manifestation of the essence of the Church as the Mystical Body of Christ , therefore as hierarchical communion. That is why there are chants that only the ministers sing; chants that only a cantor or schola sings; and chants that everyone sings.
What does Pius XI mean when he says "sing alternately with the clergy"?
When Pius XI says “sing alternately with the clergy,” he means, for example, when the priest chants “Dominus vobiscum,” everyone responds: “Et cum spiritu tuo”; or, in the usus antiquior, at the end of the Pater noster, everyone chants together: “Sed libera nos a malo.”.
Why is sacred music considered holy?
Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites. ….
What is Gregorian chant?
Gregorian chant is the singing of the liturgy and its texts are almost entirely scriptural. (CNS photo/Chaz Muth) WASHINGTON (CNS) -- When Erin Bullock steps in front of the altar at the Cathedral of St. Matthew the Apostle in Washington, she is there to sing parts of the liturgy and to guide members of the congregation through song.
Who is the Gregorian chant named after?
Gregorian chant is named for St. Gregory the Great, who was pope from 590 to 604.
What is the music of the church called?
Though Gregorian chant eventually became the music of the church, its use has had periods of intense popularity throughout the centuries and eras when it receded, McDonnell said.
Why is the chant part of the liturgy?
Throughout the centuries, the chant became a natural part of the liturgy, because of the simplicity of the sung recitation from the priest and response of chanted text by the congregation , with the choir handling the more complex music, said James Senson, music director of St. John the Beloved.
Where is the Gregorian Chant rehearsal?
Rome School of Music at The Catholic University of America in Washington, conducts an Oct. 10 Gregorian chant rehearsal in the school's St. Vincent Chapel. Gregorian chant is the singing of the liturgy and its texts are almost entirely scriptural.
When did Gregorian chant become standard?
Gregorian chant was standard in the Mass in the 1950s, but fell out of favor after the Second Vatican Council, when the traditional Latin Mass was changed to the dominant language of each country.
What distinguishes the chants?
What distinguishes the chant is that the songs are actual prayers and text vital to the liturgy, said Elizabeth Black, assistant music director of St. John the Beloved Catholic Church in McLean, Virginia. For instance, when the priest sings, "the Lord be with you," and the congregation responds in song, "and with your spirit," they are performing ...

Overview
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Greg…
History
Singing has been part of the Christian liturgy since the earliest days of the Church. Until the mid-1990s, it was widely accepted that the psalmody of ancient Jewish worship significantly influenced and contributed to early Christian ritual and chant. This view is no longer generally accepted by scholars, due to analysis that shows that most early Christian hymns did not have Psalms for texts, and …
Musical form
Gregorian chant is, as 'chant' implies, vocal music. The text, the phrases, words and eventually the syllables, can be sung in various ways. The most straightforward is recitation on the same tone, which is called "syllabic" as each syllable is sung to a single tone. Likewise, simple chants are often syllabic throughout with only a few instances where two or more notes are sung on on…
Performance
Gregorian chant was originally used for singing the Office (by male and female religious) and for singing the parts of the Mass pertaining to the lay faithful (male and female), the celebrant (priest, always male) and the choir (composed of male ordained clergy, except in convents). Outside the larger cities, the number of available clergy dropped, and lay men started singing these parts. The choir was considered an official liturgical duty reserved to clergy, so women were not allowed t…
Liturgical functions
Gregorian chant is sung in the Office during the canonical hours and in the liturgy of the Mass. Texts known as accentus are intoned by bishops, priests, and deacons, mostly on a single reciting tone with simple melodic formulae at certain places in each sentence. More complex chants are sung by trained soloists and choirs. The Graduale Romanum contains the proper chants of the Mass (i.e., Int…
Influence
Gregorian chant had a significant impact on the development of medieval and Renaissance music. Modern staff notation developed directly from Gregorian neumes. The square notation that had been devised for plainchant was borrowed and adapted for other kinds of music. Certain groupings of neumes were used to indicate repeating rhythms called rhythmic modes. Rounded noteheads increasingly replaced the older squares and lozenges in the 15th and 16th centuries, …
See also
• Alternatim
• Anglican chant
• Cecilian Movement
• Damien Poisblaud
• Paul Jausions
Notes
1. ^ Murray 1963, pp. 3–4.
2. ^ Development of notation styles is discussed at Dolmetsch online, accessed 4 July 2006
3. ^ The Constitution on the Sacred Liturgy, Second Vatican Council Archived 20 December 2012 at archive.today; Pope Benedict XVI: Catholic World News 28 June 2006 both accessed 5 July 2006