Are there any Remington sculptures in this museum?
This Museum currently offers two very fine reproductions of Remington sculptures, The Broncho Buster and The Rattlesnake, produced from digital scans of two of the finest original casts, created under direct supervision of former Remington Museum Director Laura A. Foster.
How many sculptures did Frederic Remington (1861-1909) cast?
Frederic Remington (1861-1909) cast 22 different subjects. The first foundry with which he worked was the Henry-Bonnard Bronze Company in New York. Four different sculptures were cast in bronze, starting in 1895, using the sand-casting method. They were The Broncho Buster, The Wounded Bunkie, The Wicked Pony, and The Scalp.
How much did Remington earn his first year as an artist?
His first year as a commercial artist had been successful, earning Remington $1,200, almost triple that of a typical teacher. He had found his life's work and bragged to a friend, "That's a pretty good break for an ex cow-puncher to come to New York with $30 and catch on it 'art'."
What was Remington's last years like?
In his final two years, under the influence of The Ten, he was veering more heavily to Impressionism, and he regretted that he was studio bound (by virtue of his declining health) and could not follow his peers, who painted "plein air." Remington died after an emergency appendectomy led to peritonitis on December 26, 1909.
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What is an original Remington sculpture worth?
Buyers are often urged to spend far more than the reproductions are worth. Generally, authentic Remington bronzes are not available anywhere for less than $75,000.
How much is a Remington replica worth?
In the late 1980s, some replicas of Remington bronzes were selling for as much as $4,000. Today, you can buy one for as little as $350. And a desktop Remington statue can cost as little as $90.
How can you tell if a Remington statue is real?
Foundry marks–Authentic Remington bronzes are permanently marked with the foundry name (see Figs. 5, 6, 11). The majority of reproductions do not have foundry marks. All of Remington's originals were produced by only two firms: Roman Bronze Works and Henry-Bonnard Bronze Co.
How much is Remington The Rattlesnake worth?
The 7/28/ 2014 Coeur d'Alene Art Auction one of the original FREDERIC REMINGTON (1861–1909)The Rattlesnake #53 bronze, 22 inches high Sold at Auction: $380,250.
How do you clean a Remington bronze statue?
Dip a clean soft cloth in a solution of 2 cups distilled water and one tablespoon of a mild dish soap to clean grime away from the surface. Dust the statue regularly, at least once a week. Too much dust can damage the surface. Use a soft, clean, dry cloth and dust the statue thoroughly.
Where is the original Remington Bronco Buster?
The Frederic Remington Art Museum is in Ogdensburg, where its two “Bronco Busters” are highly prized.
How can you tell how old a bronze sculpture is?
If you're looking at an old bronze, you should see a patina; a film that forms on the surface from reaction to the air. If it flakes or scratches off easily, it's probably a painted on patina-substitute. Scratching the patina also shows the surface of the metal underneath.
How can you tell if a figurine is bronze?
One of the easiest ways to determine if it is bronze is sticking a magnet to it. Bronze is non-magnetic while iron is highly magnetic. It is important to inspect bronze pieces and parts. Sculptures are commonly duplicated using fake bronze.
Why are bronze sculptures so expensive?
Producing a bronze sculpture is a complex and labor-intensive process involving several highly trained and experienced people and expensive, specialized equipment.
How much is the bronco buster worth?
DALLAS — Multiple bidders pursued Frederic Remington's “The Bronco Buster” (conceived 1908, cast 1910) until it sold for $615,000 to lead Heritage Auctions' American Art Auction November 1.
How old was Frederic Remington when he died?
48 years (1861–1909)Frederic Remington / Age at death
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How many subjects did Remington create?
Learn more... Frederic Remington (1861 - 1909) created 22 subjects in bronze, beginning with The Bronco Buster in 1895. These subjects were cast in numbers according to retail demand. Since the copyrights expired mid-20th century, the sculptures have been available to anyone who wants to make and sell copies.
What is a reproduction of a Remington?
Reproductions are almost always begun by an artist who works on a new model based on photographs of a Remington subject. Occasionally, such standard items are incorrectly called restrikes or recasts. These terms indicate that the mold that created the item was taken from the surface of an authentic sculpture.
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wikiHow is a “wiki,” similar to Wikipedia, which means that many of our articles are co-written by multiple authors. To create this article, 14 people, some anonymous, worked to edit and improve it over time. This article has been viewed 36,522 times.
Who were the Remingtons?
The Remingtons were horsemen. One of Remington's great-grandfathers, Samuel Bascom, was a saddle maker by trade. Remington's ancestors also fought in the French and Indian War, the American Revolution, and the War of 1812.
How much did Remington make in his first year?
His first year as a commercial artist had been successful, earning Remington $1,200, almost triple that of a typical teacher. He had found his life's work and bragged to a friend, "That's a pretty good break for an ex cow-puncher to come to New York with $30 and catch on it 'art'.".
How did Remington die?
Remington died after an emergency appendectomy led to peri tonitis on December 26, 1909. His extreme obesity (of nearly 300 pounds) had complicated the anesthesia and the surgery, and chronic appendicitis was cited in the postmortem examination as an underlying factor in his death.
Why did Remington travel to Arizona?
In 1886, Remington was sent to Arizona by Harper's Weekly on a commission as an artist-correspondent to cover the government's war against Geronimo. Although he never caught up with Geronimo, Remington did acquire many authentic artifacts to be used later as props, and made many photos and sketches valuable for later paintings. He also made notes on the true colors of the West, such as "shadows of horses should be a cool carmine & Blue", to supplement the black-and-white photos. Ironically, art critics later criticized his palette as "primitive and unnatural" even though it was based on actual observation.
What was Remington's style?
Remington was the most successful Western illustrator in the "Golden Age" of illustration at the end of the 19th century and the beginning of the 20th century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington's life as members of the "School of Remington". His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, portraying men almost exclusively, and the landscape was usually of secondary importance, unlike the members and descendants of the contemporary Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers' and publishers' interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined.
What was Remington's favorite subject for magazine illustration?
His favorite subject for magazine illustration was now military scenes, though he admitted, "Cowboys are cash with me".
Why did Harper's drop Remington?
In 1900, as an economy move, Harper's dropped Remington as their star artist. To compensate for the loss of work, Remington wrote and illustrated a full-length novel, The Way of an Indian, which was intended for serialization by a Hearst publication but was not published until five years later in Cosmopolitan.
