hendecasyllable wikipedia

What is an 11 syllable line called?

hendecasyllableIn poetry, a hendecasyllable is a line of eleven syllables. The term "hendecasyllabic" is used to refer to two different poetic meters, the older of which is quantitative and used chiefly in classical (Ancient Greek and Latin) poetry and the newer of which is accentual and used in medieval and modern poetry.

What does hendecasyllabic?

Definition of hendecasyllabic : consisting of 11 syllables or composed of verses of 11 syllables.

Can a line in iambic pentameter have 11 syllables?

A given line may have 9 , 11 or even 12 syllables instead of 10. And variations in Iambic Pentameter can extend even further. Shakespeare will sometimes intersperse the overall 10 syllable pattern with 6 syllable lines – called squinting lines (a term coined by George Wright).

What meter does Catullus use?

Sapphic meterThese avant-garde poets drew inspiration from earlier Greek authors, especially Sappho and Callimachus; Catullus himself used Sapphic meter in two poems, Catullus 11 and 51, the second of which is almost a translation.

What is lamb poem?

An iamb is a two-syllable metrical pattern in poetry in which one unstressed syllable is followed by a stressed syllable.

What is Sapphic poetry?

Sapphic stanza is a strophe that is widely used in European poetry. It is of Greek origin and is named after the ancient Greek female poet Sappho. The stanza consists of four lines. Three of them are composed of eleven syllables and the last one is made up of five syllables.

Who invented iambic pentameter?

Geoffrey Chaucer followed the Italian poets in his ten-syllable lines, placing his pauses freely and often using the "Italian" pattern, but he deviated from it by introducing a strong iambic rhythm and the variations described above. This was an iambic pentameter.

What is a 12 line poem called?

A 12-line poem is considered a Rondeau Prime, a form of French poetry, though it usually consists of a septet (7 lines) plus a cinquain (5 lines).

What famous poem uses iambic pentameter?

Iambic pentameter appears in all types of English writing, from rhyming Shakespearean sonnets, to blank verse poems, to plays.

What are Dactyls and Spondees?

Spondee: Two stressed syllables. Pyrrhic: Two unstressed syllables. Iamb: One unstressed syllable followed by one stressed syllable. Trochee: One stressed syllable followed by one unstressed syllable. Dactyl: One stressed syllable followed by two unstressed syllables.

What are the poems of Catullus?

Catullus 85Catullus 51Catullus 5Catullus 1Catullus 11Catullus 58bCatullus/Poems

How many Catullus poems are about Lesbia?

25Lesbia is the subject of 25 of Catullus' 116 surviving poems, and these display a wide range of emotions (see Catullus 85), ranging from tender love (e. g. Catullus 5, Catullus 7), to sadness and disappointment (e.g. Catullus 72), and to bitter sarcasm (e.g. Catullus 8), following the often unsteady course of Catullus' ...

What is the classi­cal hen­deca­syl­la­ble?

The clas­si­cal hen­deca­syl­la­ble is a quan­ti­ta­tive meter used in An­cient Greece in Ae­olic verse and in sco­lia, and later by the Roman poets Cat­ul­lus and Martial. Each line has eleven syl­la­bles; hence the name, which comes from the Greek word for eleven. The heart of the line is the cho­ri­amb (– ⏑ ⏑ –). There are three dif­fer­ent ver­sions. The pat­tern of the Pha­lae­cian (Latin: hen­deca­syl­labus phalaecius) is as fol­lows (using “–” for a long syl­la­ble, “⏑” for a short and “⏓” for an “ an­ceps ” or vari­able syl­la­ble):

What is the hendeca syl­la­ble?

The hen­deca­syl­la­ble ( Ital­ian: en­de­ca­sil­la­bo) is the prin­ci­pal metre in Ital­ian po­etry. Its defin­ing fea­ture is a con­stant stress on the tenth syl­la­ble, so that the num­ber of syl­la­bles in the verse may vary, equal­ing eleven in the usual case where the final word is stressed on the penul­ti­mate syl­la­ble. The verse also has a stress pre­ced­ing the caesura, on ei­ther the fourth or sixth syl­la­ble. The first case is called en­de­casil­l­abo a minore, or lesser hen­deca­syl­la­ble, and has the first hemistich equiv­a­lent to a quinario; the sec­ond is called en­de­casil­l­abo a maiore, or greater hen­deca­syl­la­ble, and has a set­te­nario as the first hemistich.

How many syllables are in a hendeca syllable?

In po­etry, a hen­deca­syl­la­ble is a line of eleven syl­la­bles. The term "hen­deca­syl­labic" is used to refer to two dif­fer­ent po­etic me­ters, the older of which is quan­ti­ta­tive and used chiefly in clas­si­cal ( An­cient Greek and Latin) po­etry and the newer of which is ac­cen­tual and used in me­dieval and mod­ern po­etry. The term is often used when a line of iambic pen­tame­ter con­tains 11 syl­la­bles.

What is the hendeca­syl­la­ble in the first line of John Keats

The term "hen­deca­syl­la­ble" is some­times used to de­scribe a line of iambic pen­tame­ter with a fem­i­nine end­ing, as in the first line of John Keats 's Endymion: "A thing of beauty is a joy for ever."

What is the meaning of the hendecasyllable?

The hendecasyllable (in Italian endecasillabo) is also used in Italian poetry. It has a historical role in Italian poetry, and a formal structure, comparable to that of iambic pentameter in English or the alexandrine in French.

How many syllables are in a hendecasyllable?

The term "hendecasyllable" is sometimes used in English poetry to describe a line of iambic pentameter hypercatalectic (meaning, five iambic feet or ten syllables, plus an extra syllable at the end), as in the first line of John Keats's Endymion: "A thing of beauty is a joy for ever."

In classical poetry

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In Italian poetry

The hendecasyllable ( Italian : endecasillabo) is the principal metre in Italian poetry. Its defining feature is a constant stress on the tenth syllable, so that the number of syllables in the verse may vary, equaling eleven in the usual case where the final word is stressed on the penultimate syllable.

In Polish poetry

The hendecasyllabic metre ( Polish: jedenastozgłoskowiec) was very popular in Polish poetry, especially in the seventeenth and eighteenth centuries, owing to strong Italian literary influence.

In Portuguese poetry

The hendecasyllable ( Portuguese: hendecassílabo) is a common meter in Portuguese poetry. The best-known Portuguese poem composed in hendecasyllables is Luís de Camões ' Lusiads , which begins as follows:

In Spanish poetry

The hendecasyllable ( endecasílabo) is less pervasive in Spanish poetry than in Italian or Portuguese, but it is commonly used with Italianate verse forms like sonnets and ottava rima. An example of the latter is Alonso de Ercilla 's epic La Araucana , which opens as follows:

In English poetry

The term "hendecasyllable" is sometimes used to describe a line of iambic pentameter with a feminine ending, as in the first line of John Keats 's Endymion: "A thing of beauty is a joy for ever."

in Classical Poetry

in Italian Poetry

• The hendecasyllable (Italian: endecasillabo) is the principal metre in Italian poetry. Its defining feature is a constant stress on the tenth syllable, so that the number of syllables in the verse may vary, equaling eleven in the usual case where the final word is stressed on the penultimate syllable. The verse also has a stress preceding the caesu...

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in Polish Poetry

in Portuguese Poetry

in English Poetry

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